{"id":12613,"date":"2024-05-21T16:00:08","date_gmt":"2024-05-21T13:00:08","guid":{"rendered":"https:\/\/ch.jfdi.cc\/?p=12613"},"modified":"2024-05-21T16:00:08","modified_gmt":"2024-05-21T13:00:08","slug":"who-says-no-to-the-richest-woman","status":"publish","type":"post","link":"https:\/\/ch.jfdi.cc\/?p=12613","title":{"rendered":"Who says no to the richest woman?"},"content":{"rendered":"<p>Gina Rinehart, Australia\u2019s richest woman (a billionaire heiress to mining fortunes), is a patron of the National Gallery, which is currently hosting an exhibition by prominent Australian artist Vincent Namatjira.<br \/>\nAmong his works is a caricature portrait of Rinehart, along with 20 other well-known individuals, including Queen Elizabeth, footballers, singers, and politicians. All are depicted as caricatures.<br \/>\nHowever, Rinehart has requested that her portrait be removed from the exhibition. But the National Gallery said \u201cno\u201d to its benefactor, once again sparking a discussion about art and censorship.<br \/>\nArt critics explain that Namatjira\u2019s paintings address the shifting perspectives of people by using satire as a \u201ccommentary\u201d on power. The artist himself states that his intention is to make viewers reflect on the influence and privileges held by certain individuals. \u201cI paint people who are rich, powerful, or important, people who have had an influence on this country and on me personally, either directly or indirectly, for good or for bad,\u201d added the painter. \u201cSome may not like it, others may find it funny, but I hope people look beyond the surface. We are all equal\u2026 Regardless of our heritage or background.\u201d<br \/>\nA similar discussion is taking place in New York around another provocative work by Italian artist Maurizio Cattelan. At the Gagosian Gallery, a middle-aged man, sculpted in white marble, lies on a bench. With one hand covering his face and the other touching his pants\u2019 zipper, a small puddle forms in front of him. The man is urinating in public, and the artist, with the title \u201cNovember,\u201d dedicates the work \u201cto the groups that are invisible in society.\u201d The curator of the exhibition explains that the artist does not intend to provoke. \u201cIf you\u2019re free to buy guns from a supermarket in America, why is it wrong to urinate in public?\u201d he asks.<br \/>\nOf course, when you\u2019re Maurizio Cattelan, things are easier. Hence, he has been invited to participate in the Vatican\u2019s pavilion at this year\u2019s Venice Biennale, despite scandalising the faithful a few years ago with his work \u201cLa Nona Ora.\u201d The sculpture depicted the Pope leaning on the ground, struck by a meteorite.<br \/>\n\u201cAll power, any power, has an expiration date, just like milk,\u201d says Cattelan, raising his middle finger to the sky in another of his works.<br \/>\nA monumental hand with its four fingers cut off.caricature portrait. censorship, satire, power<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gina Rinehart, Australia&#8217;s richest woman and a patron of the National Gallery, requested her caricature portrait be removed from an exhibition by artist Vincent Namatjira, but the gallery refused. Namatjira&#8217;s paintings use satire to comment on power and privilege, prompting viewers to reflect on influential individuals. In New York, artist Maurizio Cattelan&#8217;s provocative work features a middle-aged man urinating in public, dedicated to invisible groups in society. Despite controversy, Cattelan has been invited to the Vatican&#8217;s pavilion at the Venice Biennale this year.<\/p>\n","protected":false},"author":5,"featured_media":12614,"comment_status":"open","ping_status":"closed","sticky":false,"template":"Default","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[302,1915,328,958,10749,279,303,1468,9804,4407,959,10532,7633,1394,393,634,10466,7567,1686,10125,1004,10005,4109,10750,2735,431,7877,457,6305,1944],"class_list":["post-12613","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-other","tag-art","tag-artist","tag-australia","tag-biennale","tag-censorship","tag-comment","tag-culture","tag-exhibition","tag-faithful","tag-hope","tag-inequality","tag-la","tag-lies","tag-man","tag-new-york","tag-opinion","tag-paintings","tag-politicians","tag-pope","tag-portrait","tag-power","tag-privileges","tag-queen-elizabeth","tag-satire","tag-sculpture","tag-vatican","tag-venice","tag-white","tag-who","tag-woman"],"acf":{"keyphrase":"","keywords":"","sourceimg":"","country-category":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Who says no to the richest woman?<\/title>\n<meta name=\"description\" content=\"Gina Rinehart, Australia&#039;s richest woman and a patron of the National Gallery, requested her caricature portrait be removed from an exhibition by artist Vincent Namatjira, but the gallery refused. Namatjira&#039;s paintings use satire to comment on power and privilege, prompting viewers to reflect on influential individuals. In New York, artist Maurizio Cattelan&#039;s provocative work features a middle-aged man urinating in public, dedicated to invisible groups in society. Despite controversy, Cattelan has been invited to the Vatican&#039;s pavilion at the Venice Biennale this year.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Who says no to the richest woman?\" \/>\n<meta property=\"og:description\" content=\"Gina Rinehart, Australia&#039;s richest woman and a patron of the National Gallery, requested her caricature portrait be removed from an exhibition by artist Vincent Namatjira, but the gallery refused. Namatjira&#039;s paintings use satire to comment on power and privilege, prompting viewers to reflect on influential individuals. In New York, artist Maurizio Cattelan&#039;s provocative work features a middle-aged man urinating in public, dedicated to invisible groups in society. 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Namatjira's paintings use satire to comment on power and privilege, prompting viewers to reflect on influential individuals. In New York, artist Maurizio Cattelan's provocative work features a middle-aged man urinating in public, dedicated to invisible groups in society. 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Namatjira's paintings use satire to comment on power and privilege, prompting viewers to reflect on influential individuals. In New York, artist Maurizio Cattelan's provocative work features a middle-aged man urinating in public, dedicated to invisible groups in society. Despite controversy, Cattelan has been invited to the Vatican's pavilion at the Venice Biennale this year.","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"og_locale":"en_GB","og_type":"article","og_title":"Who says no to the richest woman?","og_description":"Gina Rinehart, Australia's richest woman and a patron of the National Gallery, requested her caricature portrait be removed from an exhibition by artist Vincent Namatjira, but the gallery refused. Namatjira's paintings use satire to comment on power and privilege, prompting viewers to reflect on influential individuals. 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Namatjira's paintings use satire to comment on power and privilege, prompting viewers to reflect on influential individuals. In New York, artist Maurizio Cattelan's provocative work features a middle-aged man urinating in public, dedicated to invisible groups in society. 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